From Public Domain Review:
Documenting Drugs The Artful Intoxications of Stanisław Ignacy Witkiewicz
In pursuit of Pure Form, the Polish artist known as “Witkacy” would consume peyote, cocaine, and other intoxicants before creating pastel portraits. Juliette Bretan takes a trip through Witkiewicz’s chemical forays, including his 1932 Narcotics, a genre-bending treatise that warns of the hazards of drugs while seductively recollecting their delirious effects.
Published
April 7, 2022

Left: Stanisław Ignacy Witkiewicz, Self-Portrait, 1918. Type “D” portrait (executed with subjective characterisation, as if under the influence of drugs, but without “recourse to any artificial means”). Right: Stanisław Ignacy Witkiewicz, Portrait of Nena Stachurska, 1929. Type “C” portrait (under the influence of “narcotics of a superior grade”). Mescaline synthesised by Merck + cocaine + caffeine + cocaine + caffeine + cocaine) — Source: left, right.
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