From The Economist, December 20:
A footwear revolution in the world’s fashion capital
The high-heeled shoe, popular among men in pre-revolutionary France, is losing favour among women on the streets of Paris. The once familiar click of stiletto on cobble is giving way to the silence of rubber soles. Today fashion writers offer French women advice on “les chunky boots”: heavy, black, grooved-sole footwear. Trainers, once derided in the beaux quartiers as an American abomination, are now a daily feature in Parisian cafés and offices. Nearly half of French women, according to a poll, do not know how to walk in high heels. What is going on?Modern France helped to make the female high heel iconic. Roger Vivier, a French designer, is considered to be the godfather of the stiletto, having designed the aiguille (needle) heel back in 1954. He was the first to insert a metal rod into the heel, stiffening its structure and stretching the female silhouette. The brand still calls stiletto heels “tools of unstoppable seduction”. Christian Louboutin, a French luxury designer, gave the 10cm-high heel a twist with his famous red-soled stiletto, a pair of which goes for around €800 ($870).
Today’s disappearing French high heel is explained in part by covid-19 and the way working from home has spread le look casual. It may also mark a form of post-#MeToo rebellion. A younger generation is turning against the stiletto’s figure-deforming nature—nodded to in the film “Barbie”, whose star’s feet no longer fall flat when relieved of her heels....
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It was just a few years ago I decided that, no matter how attractive the offer might be, nor how beautiful the country is, there are some things we probably shouldn't unleash upon the world and I wouldn't be heading up a Japanese office:
Japan’s labour minister says high heels at work are 'necessary'
