From Andrey Mir at Human as Media, January 17, 2021:
When Herman and Chomsky described their Propaganda model, the news media were paid predominantly by advertisers and therefore tended to beautify reality. But advertising is gone. The media try to attract reader revenue. But this is a very peculiar reader revenue. It is not transactional; readers do not buy the news, as they already know news from their social media newsfeeds. The audience of the media turns into a donating audience that is solicited to support journalism, not to buy news.
Being forced to seek financial support from the audience, not advertisers, the media no longer need to beautify reality. Quite opposite, the news media are economically incentivized to dramatize the agenda and seek for triggers making the audience to support the value-validation and value-promotion functions of journalism. This is a completely different propaganda model, comparing to that described by Herman and Chomsky.
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Herman and Chomsky introduced a propaganda model that “traces the routes by which money and power are able to filter out the news fit to print, marginalize dissent, and allow the government and dominant private interests to get their messages across to the public” (Herman & Chomsky, 2002 [1988], p. 2). They singled out five filters that “interact with and reinforce one another” (in the quote, I split the filters into different paragraphs for visual clarity – A.M.):
The essential ingredients of our propaganda model, or set of news “filters,” fall under the following headings: (1) the size, concentrated ownership, owner wealth, and profit orientation of the dominant mass-media firms; (2) advertising as the primary income source of the mass media; (3) the reliance of the media on information provided by government, business, and “experts” funded and approved by these primary sources and agents of power; (4) “flak” as a means of disciplining the media; and (5) “anticommunism” as a national religion and control mechanism. These elements interact with and reinforce one another. (Herman & Chomsky, 2002 [1988], p. 2.)
The Propaganda model worked particularly well when it was used to analyze the conjoined stances of the mainstream media regarding American foreign policy. The applicability of the PM in this regard was fascinating. Herman and Chomsky used their filters to show, with meticulously calculated numbers of mentions and profound discourse analysis, how differently (but jointly) the media in 1970–80s treated seemingly similar events, such as wars, elections or assassination attempts, depending on whether the American ruling elites were friendly to the regimes or proprietors responsible for those events (or allegedly responsible).
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Herman and Chomsky’s classic definition of the media, with which they opened their Manufacturing Consent, goes as follows:
The mass media serve as a system for communicating messages and symbols to the general populace. It is their function to amuse, entertain, and inform, and to inculcate individuals with the values, beliefs, and codes of behavior that will integrate them into the institutional structures of the larger society. (Herman & Chomsky, 2002 [1988], p. 1.)
It is noteworthy that they started their list of the mass media’s functions with “amuse” and “entertain” before “inform.” This, of course, exposes a critical political economy approach to the media, essentially a Marxist one, that was prevalent in the political economy of communications of the late 20th century.
The view that the capitalist mainstream media is ‘infotainment’ is still dominant in critical media theories. However, criticizing the mass media for being entertaining instead of informative is no longer relevant. Entertaining has been stolen from the media by the internet, together with advertising money.
Advertising as the main source of revenue for the media has gone. News retail as a sustainable business is fading, too. The reader money still coming to newspapers can be broken down into four categories:
- Residual transactional news subscription.
- Validation fee – paying for the validation of already-known news within a certain value system by a weighty media brand.
- Donscription – subscription solicited as donation to support a cause promoted by a media outlet.
- Membership – direct soliciting of donations to a noble cause; formally, the cause of journalism but, in fact, increasingly a political cause.
Other old media – radio and TV – exploit equivalent motives for consumption of their product, but they just monetize them differently, through cable subscription or advertising, though these are also declining....
....MUCH MORE
We have quite a few links to Mr. Mir, many of which constitute the outro from May 23's "Academic Activism as an Effect of Digital Media":
From Andrey ("ecologist of media"*) Mir at Discourse magazine, May 21:
The social media forces of virality have irrevocably changed the nature of academia
Academics were once the slowest talkers in the room, the purveyors of long papers, slow journals, ideas tested over years. That’s ancient history. Digital media sped up academic publishing and fused it with social media publicity. These days, a seemingly academic claim can go just as viral as a TikTok dance. The line between thinking and trending is thinner than ever. The question is: Does digitally agitated academia still seek truth—or merely adjudicate it?
Accelerated Academic Publishing
In the print era, a scholarly paper took years to gestate, peer review felt like it took place in geologic time and only librarians knew how to hunt down an obscure journal. That world is gone. Digital media—ever‑hungry, ever‑faster—turbocharged academic publishing in both speed and scale.
In the 13 years between 1992 and 2003, approximately 1.3 million open-access peer‑reviewed articles were published. In 2022 alone, the tally of published academic papers reached 5.14 million. As production costs fell, tons of new journals emerged. The number of academic journals has doubled from 24,552 in 2001 to 46,736 in 2020....
....MUCH MORE